Syllabus Sections
Publish Date
01/14/2021 18:28:32
Drawing I
ARTS-1316
Credit Spring 2021
01/19/2021 - 05/16/2021
Course Information
Section 008
Distance Learning
MW 13:30 - 14:25
DLS DIL
Tommy Gingras
Section 008
Laboratory
MW 14:25 - 16:10
DLS DIL
Tommy Gingras
Office Hours
No office hours have been entered for this term
Course Requirements
Course Rationale: The purpose of Drawing I is to provide each student with specific drawing media experiences and to build basic perceptual skills in terms of drawing from studio set-ups. The student will also gain basic knowledge of the elements of art: line, value, shape/volume, texture and color to lead to their deliberate manipulation for different types of spatial illusion, compositions, and expressive meaning.
Common Course Learning Outcomes:
Upon completion of the course, students will be able to:
-
Describe visual subjects through the use of accurate and sensitive observation.
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Generate authentically conceived drawings that demonstrate descriptive, expressive, and conceptual approaches.
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Utilize varied materials and techniques with informed aesthetic and conceptual strategies.
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Demonstrate an appropriate level of professional practice, including safety, craft and presentation.
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Observe and appreciate drawings and verbally express noteworthy strengths in
composition and/or craft.
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Relate drawing to useful design concepts, art history and contemporary artistic production.
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Develop skills worthy of confident presentation and spontaneous expression in client driven communication.
ACC Specific Course Learning Outcomes:
Upon completion of the course, students will be able to:
-
Analyze visual information in terms of proportional relationships, spatial relationships, harmonizing lines, and basic geometric shapes in order to accurately depict objects and groupings of objects and their relationships to each other.
-
Use shading (line weight, gradient tonalities, cross contour, cross hatching and stippling) to efficiently create the illusion of volume, depth, and the natural way light embraces and describes form.
-
Describe texture and organic rhythms drawing from still life objects, landscapes, and personal observation.
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Execute one and two point perspective drawings from real life observation.
-
Discuss drawing using a commonly understood terminology and preferential, stylistic description.
-
Have a working understanding of useful tools that increase efficiency and productivity depending on client preferences, desired outcomes, productivity demands, and temporal constraints.
-
Present completed work in a professional manner.
[Optional: Instructors may include section specific learning outcomes].
Readings
Related Reading Materials:
Drawing: A Studio Guide Lou Bro
The Natural Way To Draw Kimon Nicolades
Dynamic Anatomy Burne Hogarth
Drawing The Head and Figure Jack Hamm
The Spirit Of Drawing Connie Smith Siegal
The Zen Of Seeing/Seeing/Drawing As Meditation Frederick Franck
The Power of Limits: Proportional Harmonies In
Nature, Art, and Architecture Gyorgy Doczi
Course Subjects
Course Outline/Calendar: Determined by Instructor Addendum
For Example:
WEEK |
TOPICS |
1 |
Syllabus/Introduction to Media/Experimental, Controlled, and Process-Based Introductory Drawings, Warm ups |
2 |
Warm ups, Continuation of Experimental, Controlled, and Process-Based Introductory Drawings/Visual Aids to Drawing |
3 |
Shape and Form/Touching and Seeing: Exploring Drawing through Tactile Experience |
4 |
Eye-Hand Coordination/Learning to See: Exploring Drawing through Non-Visual and Limited Visual Experience |
5 |
Learning to See/Bridging the Memory Gap: Exploring Drawing through Continuous Line DISCUSSION OF PROGRESS & DEVELOPMENT |
6 |
Point of View: Exploring Drawing through Superimposition and Gestural Mark-Making |
7 |
Making Light Visible: Exploring Drawing through Gestural Value and Directional Mark-Making |
8 |
Making Light Visible: Exploring Value through Energized Mark-Making and Controlled Scribbling MID-TERM PORTFOLIO |
9 |
Making Light Visible: Exploring Drawing through Subtraction and Shorthand Techniques |
10 |
Recording Time/Recording Emotion: Exploring Drawing through Resurrecting a Drawing and Emotional Response |
11 |
Recording Emotion: Exploring Drawing through Emotional Response and Texture DISCUSSION OF PROGRESS & DEVELOPMENT |
12 |
Perspective: One and Two-Point Perspective |
13 |
Continuation of Perspective: Exploring Drawing through Architectural Form |
14 |
Thematic Development: Mark-Making, Process, Media, and Subject Matter |
15 |
Thematic Development: Mark-Making, Process, Media, and Subject Matter |
16 |
Thematic Development: Mark-Making, Process, Media, and Subject Matter FINAL PORTFOLIO/FINAL DISCUSSION OF PROGRESS & DEVELOPMENT |
Student Learning Outcomes/Learning Objectives
ACC Specific Course Learning Outcomes:
Upon completion of the course, students will be able to:
-
Analyze visual information in terms of proportional relationships, spatial relationships, harmonizing lines, and basic geometric shapes in order to accurately depict objects and groupings of objects and their relationships to each other.
-
Use shading (line weight, gradient tonalities, cross contour, cross hatching and stippling) to efficiently create the illusion of volume, depth, and the natural way light embraces and describes form.
-
Describe texture and organic rhythms drawing from still life objects, landscapes, and personal observation.
-
Execute one and two point perspective drawings from real life observation.
-
Discuss drawing using a commonly understood terminology and preferential, stylistic description.
-
Have a working understanding of useful tools that increase efficiency and productivity depending on client preferences, desired outcomes, productivity demands, and temporal constraints.
-
Present completed work in a professional manner.
[Optional: Instructors may include section specific learning outcomes].